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| A photo taken in front of the beautiful Newman Center at the University of Denver. |
First, I settled on a bee motif that I thought would scale nicely. Then I cut out around it so that I could use the teardrop shape as a mask for where I wanted the bees to go. I cut out a few that were the same size and shape.
Next, I applied the teardrops to the box where I wanted the bees to be. The mask would allow the bees to stand out against a pale yellow backdrop even if it interfered with the spray painted background I had planned. I also loosely masked the back of the box with a drop cloth.
I consulted with Forrest Brinker over at Making Things and Teaching about my design, and he pointed out that I should be mindful of how the interior of the box looks, as well as the outside. He use a crock pot to show me how a dark border at the top was appealing in appearance and framed the contents. This was great advice, but I wasn't sure how to deal with the sloped back of the box. So I decided to do what many pop artists do when they don't know how to finish something they've started: fade out. I would make the border very black at the front and fade it toward the back. I also decided to incorporate a zig-zag pattern evocative of a bee swarm.
| This is what it looked like after peeling off the teardrop masks. |
I drew the bees on the box, felt fairly pleased with myself, then applied the reflective hexagons in a way I hoped was evocative of honeycomb and complimentary to what I'd already done.
Now the box is back on the bike and riding around town! Do you like it?
| At least one kiddo seems to like it. |




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